August Strindberg, the renowned Swedish playwright, novelist, and essayist, did indeed engage in painting during certain periods of his life, particularly in the 1890s. This period became known as the 'Inferno Years' due to the tumultuous nature of his personal life and the intense emotions that he depicted in his seascapes. Strindberg turned to painting as a means of expression during times of personal upheaval or when he experienced difficulties in his writing.

Strindberg found solace and inspiration in the captivating landscapes outside his native Stockholm. He viewed the natural elements of the sea, rocks, and skies as symbolic representations of his inner turmoil. Through his paintings, he sought to convey his turbulent emotions, employing a variety of compositions, color palettes, and moods.

While Strindberg's paintings primarily depict landscapes, they can also be interpreted as symbolic self-portraits, offering valuable insights into the mind of this complex and often troubled genius. These works provide a visual representation of his inner struggles, giving viewers a glimpse into the depths of his emotional and psychological state.

By turning to painting during challenging periods or creative blocks in his writing career, Strindberg found a different avenue for self-expression. His seascapes, characterized by their tempestuous nature, reveal the intensity of his emotions and serve as a means for him to communicate his innermost thoughts and feelings to the world.

Overall, Strindberg's foray into painting during the 1890s, which he referred to as his "Inferno Years," allowed him to explore his inner turmoil and offer a unique perspective into his complex persona. These artworks stand as both landscapes and symbolic self-portraits, providing a valuable glimpse into the mind of this literary genius.